๋ณธ๋ฌธ ๋ฐ”๋กœ๊ฐ€๊ธฐ

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[ANL] 9์›”์— ์ฃผ๋ชฉํ•  ์—ฌ์„ฑ ์ค‘์‹ฌ์˜ ์ „์‹œ

Jerelyn Hanrahan's sculpture of a pearl necklace at Onna house, 2023. Photography by Memry Anderson / BFA.

 

9์›”์— ์ฃผ๋ชฉํ•  ์—ฌ์„ฑ ์ค‘์‹ฌ์˜ ์ „์‹œ

 

์—ฌ์„ฑ ์•„ํ‹ฐ์ŠคํŠธ์™€ ์—ฌ์„ฑ ์ปฌ๋ ‰ํ„ฐ๊ฐ€ ํ๋ ˆ์ดํŒ…ํ•œ ์ „์‹œ๋“ค์„ ์†Œ๊ฐœํ•˜๋ ค ํ•ฉ๋‹ˆ๋‹ค. ์—ฌ์„ฑ์˜ ๋ชฉ์†Œ๋ฆฌ๋Š” ์ง€๊ธˆ๊นŒ์ง€ ์‹œ๋Œ€์—๋Š” ๊ฐ„๊ณผ๋˜์–ด ์™”์ง€๋งŒ ํ˜„์žฌ๋Š” ๊ทธ ์–ด๋Š ๋•Œ๋ณด๋‹ค ๊ฐ•ํ•˜๊ฒŒ ๋ณด์ด๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. 9์›” ๋‰ด์š• ํ–„ํŠผ ์ง€๋ฐฉ์—์„œ ์—ด๋ฆฌ๋Š” ์‚ฌ์ง„, ๊ณต์˜ˆ, ๊ฐ€๊ตฌ, ์กฐ๊ฐ ๋“ฑ์„ ์•„์šฐ๋ฅด๋Š” ๊ผญ ๋ด์•ผ ํ•  6๊ฐ€์ง€ ์ „์‹œ๋ฅผ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค.

 

"Renée Cox: A Proof of Being", Guild Hall, ๋‰ด์š•, 9์›” 4์ผ๊นŒ์ง€

์ž๋ฉ”์ด์นด๊ณ„ ๋ฏธ๊ตญ์ธ ์˜ˆ์ˆ ๊ฐ€ ๋ฅด๋„ค ์ฝ•์Šค(Renée Cox)์˜ ์ธ์ƒ์ ์ธ ํšŒ๊ณ ์ „์ž…๋‹ˆ๋‹ค. ๋ฏธ์ˆ ์˜ ์—ญ์‚ฌ์ ์ธ ์žฅ๋ฉด์„ ํ‘์ธ ์—ฌ์„ฑ๊ณผ ๋‚จ์„ฑ์œผ๋กœ ํ‘œํ˜„ํ•˜๋Š” ์ž‘ํ’ˆ์ด ๋Œ€ํ‘œ์ ์ž…๋‹ˆ๋‹ค. 

 

"Supernatural Beauty", Onna House, ๋‰ด์š•, 9์›” 5์ผ๊นŒ์ง€

ํŒจ์…˜๋””์ž์ด๋„ˆ์ด์ž ์•„ํŠธ ์ปฌ๋ ‰ํ„ฐ์ธ ๋ฆฌ์‚ฌ ํŽ˜๋ฆฌ(Lisa Perry)๊ฐ€ ์ž‘๋…„์— ์˜คํ”ˆํ•œ ์˜จ๋‹ค ํ•˜์šฐ์Šค์—์„œ ์—ด๋ฆฌ๋Š” ์ „์‹œ์ž…๋‹ˆ๋‹ค. LA์—์„œ ํ™œ๋™ํ•˜๋Š” 6๋ช…์˜ ์—ฌ์„ฑ ์ž‘๊ฐ€์˜ ์ž‘ํ’ˆ์„ ์„ ๋ณด์ž…๋‹ˆ๋‹ค. 

 

"(Mostly) Women (Mostly) Abstract", Eric Firestone Gallery, ๋‰ด์š•, 9์›” 17์ผ๊นŒ์ง€

์ด๋ฒˆ ์ „์‹œ๋Š” ๋‰ด์š•์‹œ์™€ ์ด์ŠคํŠธ ํ–„ํŠผ ๋‘ ์ „์‹œ์žฅ์—์„œ ํ•จ๊ป˜ ์„ ๋ณด์ž…๋‹ˆ๋‹ค. ์ด ์ „์‹œ๋Š” 22๋ช…์˜ ์ „ํ›„์‹œ๋Œ€ ์‹คํ—˜ ์˜ˆ์ˆ ๊ฐ€๋“ค์˜ ์ถ”์ƒ ์ž‘ํ’ˆ์œผ๋กœ ๊ตฌ์„ฑ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค. 

 

์ด ๊ธ€์€ ์•„๋ž˜ ๊ธฐ์‚ฌ๋ฅผ ํ† ๋Œ€๋กœ ์ž‘์„ฑํ–ˆ์Šต๋‹ˆ๋‹ค. 
๋งํฌ๋กœ ๋“ค์–ด๊ฐ€์‹œ๋ฉด ๋” ๋งŽ์€ ์ •๋ณด๋ฅผ ๋ณด์‹ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

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