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๋ ˆ์ด๋ชฌ๋“œ ์†๋”์Šค ๋ฐ์ด๋น„๋“œ ์ฆˆ์œ„๋„ˆ์— ํ•ฉ๋ฅ˜

Raymond Saunders.PHOTO ANTHONY BARBOZA/GETTY IMAGES

 

๋ ˆ์ด๋ชฌ๋“œ ์†๋”์Šค ๋ฐ์ด๋น„๋“œ ์ฆˆ์œ„๋„ˆ์— ํ•ฉ๋ฅ˜

 

์ง€๋‚œ 10๋…„๊ฐ„ ๋ฏธ๊ตญ ๋ฎค์ง€์—„์—์„œ ์ƒˆ๋กญ๊ฒŒ ๊ด€์‹ฌ๋ฐ›์€ ์ž‘๊ฐ€ ๋ ˆ์ด๋ชฌ๋“œ ์†๋”์Šค(Raymond Saunders)๊ฐ€ ์„ธ๊ณ„ ์ตœ๋Œ€ ๊ฐค๋Ÿฌ๋ฆฌ ์ค‘ ํ•˜๋‚˜์ธ ๋ฐ์ด๋น„๋“œ ์ฆˆ์œ„๋„ˆ์™€ ๊ณ„์•ฝํ–ˆ์Šต๋‹ˆ๋‹ค. ์ผ๋ฐ˜์ ์œผ๋กœ ๋Œ€ํ˜• ๊ฐค๋Ÿฌ๋ฆฌ์™€ ๊ณ„์•ฝํ•˜๋ฉด ์ด์ „ ์ „์† ๊ณ„์•ฝ์€ ํŒŒ๊ธฐ๋˜๋Š” ๊ฒฝ์šฐ๊ฐ€ ๋งŽ์€๋ฐ์š”. ๊ทธ๋Š” Andrew Kreps ๊ฐค๋Ÿฌ๋ฆฌ์™€์˜ ๊ณ„์•ฝ๋„ ๊ณ„์† ์œ ์ง€ํ•  ๊ฒƒ์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ๋ฐ์ด๋น„๋“œ ์ฆˆ์œ„๋„ˆ์™€ ์•ค๋“œ๋ฅ˜ ํฌ๋ ™์Šค๋Š” ์ด๋ฅผ ๊ธฐ๋…ํ•˜๊ธฐ ์œ„ํ•œ ์ „์‹œ๋ฅผ 2์›” ๋‰ด์š•์—์„œ ์˜คํ”ˆ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. ๊ทธ ์ฃผ์ธ๊ณต ๋ ˆ์ด๋ชฌ๋“œ ์†๋”์Šค์— ๋Œ€ํ•ด ์•Œ์•„๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. 

 

๋ฐ์ด๋น„๋“œ ์ฆˆ์œ„๋„ˆ๋Š” ์„ฑ๋ช…์„ ํ†ตํ•ด "์ž‘๋…„ ๋ง์— ์•ค๋“œ๋ฅ˜ ๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€ ๋ ˆ์ด๋ชฌ๋“œ ์†๋”์Šค์˜ ์ž‘์—…์„ ์†Œ๊ฐœํ•ด๊ฐ€์œ„ํ•ด ์—ฐ๋ฝํ•ด์™”๋‹ค. ๋‚˜๋Š” ์ฆ‰์‹œ ๊ทธ์˜ ์ž‘ํ’ˆ์— ๋งค๋ฃŒ๋˜์—ˆ๋‹ค"๋ฉฐ ๋ฏธ๊ตญ ํšŒํ™”์˜ ๋Œ€ํ‘œ์ ์ธ ์ž‘๊ฐ€์ธ ๋ ˆ์ด๋ชฌ์ฆˆ ์†๋”์Šค์™€์˜ ๊ณ„์•ฝ์˜ ์†Œ๊ฐ์„ ๋ฐํ˜”์Šต๋‹ˆ๋‹ค. ๋ฐ์ด๋น„๋“œ ์ฆˆ์œ„๋„ˆ๋Š” ์ตœ๊ทผ ์ž‘๊ฐ€์™€์˜ ๊ณ„์•ฝ์— ์†Œ์† ๊ฐค๋Ÿฌ๋ฆฌ๋ฅผ ํฌํ•จํ•˜๋Š” ๊ฒฝ์šฐ๊ฐ€ ๋งŽ์•„์กŒ์Šต๋‹ˆ๋‹ค. ๋ฉ”๊ฐ€ ๊ฐค๋Ÿฌ๋ฆฌ์ธ ํ•˜์šฐ์ €์•ค์›Œ์Šค๋„ ๋งˆ์ฐฌ๊ฐ€์ง€์ธ๋ฐ์š”. ์•„ํ‹ฐ์ŠคํŠธ๋ฅผ ์˜์ž…ํ•˜๋Š” ๋™์‹œ์— ๊ธฐ์กด ๊ฐค๋Ÿฌ๋ฆฌ๋„ ์กด์ค‘ํ•˜๋Š” ํ˜•ํƒœ๋กœ ์•ž์œผ๋กœ๋„ ์ด์™€ ๊ฐ™์€ ํ˜•ํƒœ์˜ ๊ณ„์•ฝ์ด ๋งŽ์•„์งˆ ๊ฒƒ์œผ๋กœ ๋ณด์ž…๋‹ˆ๋‹ค. 

 

Raymond Saunders, Celeste Age 5 Invited Me To Tea, 1986

 

 

๋ ˆ์ด๋ชฌ๋“œ ์†๋”์Šค๋Š” 1934๋…„ ๋ฏธ๊ตญ ํŽœ์‹ค๋ฒ ๋‹ˆ์•„ ์ฃผ ํ”ผ์ธ ๋ฒ„๊ทธ์—์„œ ํƒœ์–ด๋‚ฌ์Šต๋‹ˆ๋‹ค. Carnegie Institute of Technology์—์„œ ํ•™์‚ฌ, California College of Arts and Crafts์—์„œ ์„์‚ฌ๊ณผ์ •์„ ๋งˆ์ณค์Šต๋‹ˆ๋‹ค. ์ดํ›„ ์บ˜๋ฆฌํฌ๋‹ˆ์•„ ์ฃผ๋ฆฝ ๋Œ€ํ•™๊ต์—์„œ ๊ต์ˆ˜๋กœ ์žฌ์งํ–ˆ์Šต๋‹ˆ๋‹ค. ํ‘์ธ์œผ๋กœ์„œ ์ž‘์—…์„ ํ•ด๋‚˜๊ฐ€๋ฉฐ ๊ฒช๋Š” ํ•œ๊ณ„๋ฅผ ๋‹ด์€ Black Is a Color๋ฅผ ์ถœํŒํ•˜๋ฉด์„œ ๋„๋ฆฌ ์ธ์ •์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ๋Š” ์ผ์ƒ์ƒํ™œ์ด ๋ฐ˜์˜๋˜๋Š” ์ž‘ํ’ˆ์„ ์ฃผ๋กœ ์—ฐ๊ตฌํ•ด ์™”์Šต๋‹ˆ๋‹ค. ์ผ์ƒ์—์„œ ๋ณผ ์ˆ˜ ์žˆ๋Š” ์ธ์‡„๋ฌผ ์กฐ๊ฐ์„ ์ฝœ๋ผ์ฃผ๋กœ ์‚ฌ์šฉํ•˜๊ณ , ๋ถ„ํ•„๋กœ ๋‹จ์–ด๋ฅผ ์ ๊ฑฐ๋‚˜ ๊ทธ๋ฆผ์„ ๊ทธ๋ฆฌ๋ฉฐ ์ถ”์ƒ์ ์ธ ๊ตฌ์„ฑ์„ ๋งŒ๋“ค์–ด๋ƒ…๋‹ˆ๋‹ค. 

 

 

Raymond Saunders installation view / andrewkreps.com

 

๋ ˆ์ด๋ชฌ๋“œ ์†๋”์Šค๋Š” ์ตœ๊ทผ 20๋…„๊ฐ„ ์ฃผ๋ชฉํ•  ๋งŒํ•œ ์ „์‹œ์— ์ฐธ์—ฌํ•˜๊ฑฐ๋‚˜ ๊ฐœ์ธ์ „์„ ์—ด์—ˆ์Šต๋‹ˆ๋‹ค. 2021๋…„์—๋Š” ๊ทธ๊ฐ€ ์†Œ์†๋œ ์•ค๋“œ๋ฅ˜ ํฌ๋ ™์Šค ๊ฐค๋Ÿฌ๋ฆฌ์—์˜ ๊ฐœ์ธ์ „ 40 Years: Paris/Oakland๊ฐ€ ์—ด๋ ธ์Šต๋‹ˆ๋‹ค. ๋ฎค์ง€์—„์—์„œ์˜ ์ „์‹œ๋ฅผ ์ฐพ์•„๋ณธ๋‹ค๋ฉด 2022๋…„ MoMA์—์„œ ์—ด๋ฆฐ Just Above Midtown, 2017๋…„ ํ…Œ์ดํŠธ ๋ชจ๋˜์ด ๊ธฐํšํ•œ Soul of a Nation ์ „์‹œ์— ํฌํ•จ๋˜๋ฉฐ The Broad, Crystal Bridges์—์„œ ์ˆœํšŒ ์ „์‹œ๋ฅผ ํ–ˆ์Šต๋‹ˆ๋‹ค. 2011๋…„์—๋Š” LA Hammer Museum์—์„œ ๊ธฐํšํ•œ Art and Black Los Angeles์—๋„ ์ฐธ์—ฌํ•˜์—ฌ MoMA PS1๊ณผ Williams College Museum Of Art์—์„œ ์ „์‹œํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ์˜ ์ž‘ํ’ˆ์€ MoMA, MET, Whitney Museum, National Gallery, MOCA, SFMoMA ๋“ฑ ๋งŽ์€ ๋ฎค์ง€์—„์— ์†Œ์žฅ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. National Institute of Arts and Letters Award (1963), Ford Foundation Award (1964), Rome Prize Fellowship (1964), Guggenheim Fellowship (1976), and two National Endowment for the Arts Awards (1977, 1984) ๋“ฑ ๋งŽ์€ ์ˆ˜์ƒ ๊ฒฝ๋ ฅ์„ ๊ฐ–๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. 

 

Raymond Saunders, Beauty as Syntax, 1992

 

 

๋” ์ž์„ธํ•œ ๋‚ด์šฉ์€ ๊ธฐ์‚ฌ ๋งํฌ์—์„œ ํ™•์ธํ•˜์‹ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

๐Ÿ‹๋น„๋กฏ ์•„ํŠธ ๋‰ด์Šค๋ ˆํ„ฐ ๊ตฌ๋…ํ•˜๊ธฐ