๋ณธ๋ฌธ ๋ฐ”๋กœ๊ฐ€๊ธฐ

ArtNews

2025๋…„ ๊ผญ ๋ด์•ผ ํ•  ์ „์‹œ (feat. ๋ฏธ๊ตญ, ์œ ๋Ÿฝ ์ „์‹œ ์ผ์ •)

 

Anselm Kiefer,  Innenraum,  1981, oil, acrylic and paper on canvas, the artist, 287.5 × 311 cm, collection Stedelijk Museum Amsterdam

 

์ž‘๋…„์—๋Š” ์ดˆํ˜„์‹ค์ฃผ์˜ 100์ฃผ๋…„, ๋ฒ ๋‹ˆ์Šค ๋น„์—”๋‚ ๋ ˆ์™€ ํœ˜ํŠธ๋‹ˆ ๋น„์—”๋‚ ๋ ˆ ๋“ฑ ์ค‘์š”ํ•œ ํ–‰์‚ฌ๋“ค์ด ์žˆ๋˜ ํ•œ ํ•ด์˜€์Šต๋‹ˆ๋‹ค. ์˜ฌํ•ด๋Š” ๋Œ€ํ˜• ๋น„์—”๋‚ ๋ ˆ ์†Œ์‹์€ ์—†์ง€๋งŒ, ์ „ ์„ธ๊ณ„์— ์ž๋ฆฌ ์žก๊ณ  ์žˆ๋Š” ๋ฎค์ง€์—„์—์„œ๋Š” ๋งŽ์€ ์ค‘์š”ํ•œ ์ „์‹œ๋“ค์„ ์ค€๋น„ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. 2025๋…„์— ๊ผญ ๋ด์•ผ ํ•  ์ „์‹œ๋ฅผ ์ „ ์„ธ๊ณ„๋ฅผ ๋Œ๋ฉฐ ํ•œ๋ฒˆ ์•Œ์•„๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. ์•„ํŠธํŽ˜์–ด์— ๋น„ํ•ด ๋ฎค์ง€์—„ ์ „์‹œ๋Š” ๊ธฐ๊ฐ„์ด ๊ธธ์–ด์„œ ํ•ด์™ธ ์ถœ์žฅ์ด๋‚˜ ์—ฌํ–‰ ์ผ์ •์— ๋งž๋Š”์ง€ ์‚ดํŽด๋ณด์‹œ๋Š” ๊ฒƒ๋„ ์ข‹๊ฒ ์–ด์š”. 

 

 

Rashid Johnson, The Broken Five, 2019 (detail). Ceramic tile, mirror tile, branded red oak flooring, vinyl, spray enamel, oil stick, black soap, and wax, 97 1/4 × 156 1/2 × 2 1/8 inches (247 × 397.5 × 5.4 cm). Image courtesy the artist © Rashid Johnson, 2024. Photo: Martin Parsekian


๋ฏธ๊ตญ, ๋ผํ‹ด ์•„๋ฉ”๋ฆฌ์นด

- ๋‰ด์š•

ํฌ๋ฆฌ์Šคํ‹ด ์„  ํ‚ด(Christine Sun Kim), 'All Day All Night', 2์›” 8์ผ - 7์›”, ํœ˜ํŠธ๋‹ˆ ๋ฏธ์ˆ ๊ด€, ๋‰ด์š•

์—์ด๋ฏธ ์…ฐ๋Ÿด๋“œ(Amy Sherald), 'American Sublime', 4์›” 9์ผ - 8์›”, ํœ˜ํŠธ๋‹ˆ ๋ฏธ์ˆ ๊ด€, ๋‰ด์š•

๋ผ์‹œ๋“œ ์กด์Šจ(Rashid Johnson) 'A Poem for Deep Thinkers', 4์›” 18์ผ - 26๋…„ 1์›” 18์ผ, ๊ตฌ๊ฒํ•˜์ž„ ๋ฏธ์ˆ ๊ด€, ๋‰ด์š•

๋กœ๋‚˜ ์‹ฌ์Šจ(Lorna Simpson), 'Source Notes', 5์›” 19์ผ - 11์›” 2์ผ, ๋ฉ”ํŠธ๋กœํด๋ฆฌํƒ„, ๋‰ด์š•

 

- ๋‰ด์š• ์™ธ 

๊ฐ€๋ธŒ๋ฆฌ์—˜ ์˜ค๋ฅด์กฐ์ฝ”(Gabriel Orozco), 2์›” 1์ผ - 8์›” 3์ผ, ํ›„๋ฉ•์Šค ๋ฏธ์ˆ ๊ด€, ๋ฉ•์‹œ์ฝ”์‹œํ‹ฐ

์„ธ์‹ค๋ฆฌ ๋ธŒ๋ผ์šด(Cecily Brown), 'Themes and Variations', 3์›” 9์ผ - 5์›” 25์ผ, ๋ฐ˜์Šค ํŒŒ์šด๋ฐ์ด์…˜, ํ•„๋ผ๋ธํ”ผ์•„

์นด์šฐ์Šค(KAWS), 'FAMILY', 3์›” 15์ผ - 7์›” 28์ผ, ํฌ๋ฆฌ์Šคํƒˆ ๋ฎค์ง€์—„ ์˜ค๋ธŒ ์•„๋ฉ”๋ฆฌ์นด, ๋ฒคํ†ค๋นŒ(์•„์นธ์†Œ)

๋ฐ˜ ๊ณ ํ(Van Gogh), 'The Roulin Family Portraits', 3์›” 30์ผ - 9์›” 7์ผ, ๋ณด์Šคํ„ด ๋ฏธ์ˆ ๊ด€, ๋ณด์Šคํ„ด

๋ฃจ์Šค ์•„์‚ฌ์™€(Ruth Asawa), 'A Retrospective', 4์›” 5์ผ - 9์›” 2์ผ, SFMOMA, ์ƒŒํ”„๋ž€์‹œ์Šค์ฝ”

 

 

Ed Atkins, Untitled 2023 © Ed Atkins

์œ ๋Ÿฝ, ์˜๊ตญ

- ์œ ๋Ÿฝ

๊น€์•„์˜(Ayoung Kim), 'Many Worlds Over, 2์›” 28์ผ - 7์›” 20์ผ, ํ•จ๋ถ€๋ฅด๊ฑฐ ๋ฐ˜ํ˜ธํ”„, ๋ฒ ๋ฅผ๋ฆฐ

์•ˆ์ ค๋ฆ„ ํ‚คํผ(Anselm Kiefer), 'Sag mir, wo die Blumen sind', 3์›” 7์ผ - 6์›” 9์ผ, ์•”์Šคํ…Œ๋ฅด๋‹ด ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€(์Šคํ…Œ๋ธ๋ฆญ), ๋ฐ˜ ๊ณ ํ ๋ฏธ์ˆ ๊ด€, ์•”์Šคํ…Œ๋ฅด๋‹ด

ํŒŒ๋ฆฌ ๋ˆ„์•„๋ฅด(Paris noir): 1950-2000๋…„๋Œ€์˜ ์˜ˆ์ˆ  ์šด๋™๊ณผ ๋ฐ˜์‹๋ฏผ์ฃผ์˜ ํˆฌ์Ÿ, 3์›” 19์ผ - 6์›” 30์ผ, ํํ”ผ๋‘ ์„ผํ„ฐ, ํŒŒ๋ฆฌ

์นด๋ฆฌ ์—…์Šจ(Kaari Upson), 5์›” 27์ผ - 10์›” 26์ผ, ๋ฃจ์ด์ง€์• ๋‚˜ ๋ฏธ์ˆ ๊ด€, ๋ด๋งˆํฌ ํ›”๋ ˆ๋ฐ”ํฌ

์ฟ ์‚ฌ๋งˆ ์•ผ์š”์ด, 10์›” 12์ผ - 26๋…„ 1์›” 25์ผ, ๋ฐ”์ด์—˜๋Ÿฌ ์žฌ๋‹จ, ๋ฐ”์ ค

์•„๋‹ˆ์นด ์นด์Šค(Annika Kahrs), 11์›” 14์ผ - 26๋…„ 5์›” 3์ผ, ํ•จ๋ถ€๋ฅด๊ฑฐ ๋ฐ˜ํ˜ธํ”„, ๋ฒ ๋ฅผ๋ฆฐ

 

- ์˜๊ตญ

์•„๋ฅดํ”ผํƒ€ ์‹ฑ(Arpita Singh), 'Remembering', 3์›” 13์ผ - 7์›” 27์ผ, ์„œํŽœํƒ€์ธ ๋…ธ์Šค, ๋Ÿฐ๋˜

์—๋“œ ์•ณํ‚จ์Šค(Ed Atkins), 4์›” 2์ผ - 8์›” 25์ผ, ํ…Œ์ดํŠธ ๋ธŒ๋ฆฌํŠผ, ๋Ÿฐ๋˜

์„œ๋„ํ˜ธ(Do Ho Suh): Walk the House, 5์›” 1์ผ - 10์›” 26์ผ, ํ…Œ์ดํŠธ ๋ชจ๋˜, ๋Ÿฐ๋˜

์ œ๋‹ˆ ์‚ฌ๋นŒ(Jenny Saville), 'The Anatomy of Painting', 6์›” 20์ผ - 9์›” 7์ผ, ๋‚ด์…”๋„ ํฌํŠธ๋ ˆ์ดํŠธ ๊ฐค๋Ÿฌ๋ฆฌ, ๋Ÿฐ๋˜

์—๋ฐ€๋ฆฌ ์บ„ ํ‚น์™€๋ ˆ์ด(Emily Kam Kngwarray), 7์›” 10์ผ - 26๋…„ 1์›” 11์ผ, ํ…Œ์ดํŠธ ๋ชจ๋˜, ๋Ÿฐ๋˜

๋ฆฌ ๋ฐ€๋Ÿฌ(Lee Miller), 10์›” 2์ผ - 26๋…„ 2์›” 15์ผ, ํ…Œ์ดํŠธ ๋ธŒ๋ฆฌํŠผ, ๋Ÿฐ๋˜

 

์˜ˆ์ˆ  ์• ํ˜ธ๊ฐ€๋“ค์ด ๊ผญ ์ฑ™๊ฒจ๋ณด๋Š” ๋‰ด์Šค๋ ˆํ„ฐ

๐Ÿ‹๋น„๋กฏ ์•„ํŠธ ๋‰ด์Šค๋ ˆํ„ฐ ๊ตฌ๋…ํ•˜๊ธฐ